Friday, June 5, 2015

Lexx: The Dark Zone Stories

Lexx: The Dark Zone Stories



Lexx is mildly more dramatic than soft core porn. And that's not a bad thing. Spanning thousands of years and featuring a crew of misfits aboard a gigantic insectoid starship, Lexx involves just about every fetish there is. From bondage to cyber-fetishism, Lexx had it all. The series began as four TV movies, which relied heavily on CGI and were released in 1997. In 1998/1999, the series debuted on the Sci-Fi Channel to a ready audience. Think "Hitchhiker's Guide to the Galaxy" meets "Twin Peaks" with a dose of Skinemax.

Lexx starred Michael McManus, Brian Downey, and Xenia Seaburg, who replaced Eva Haberman as Xev from Series 2 onward. It was a Canadian/German co-production. It featured heavy innuendo and little else, but in terms of setting it was brilliant: human civilization and the Insect Civilization were ancient enemies, the insects having been defeated in the distant past. But one insect survived, and implanted its consciousness inside a human host who ruled as "His Divine Shadow," a cooler title not existing.

His Divine Shadow engineered the Lexx, a massive, planet-destroying insectoid starship which was stolen by Stanley Tweedle, a disgraced freedom fighter and former security guard, Zev/Xev, a Cluster Lizard/Love Slave Hybrid,790, a disembodied robot head, and Kai, Last of the Brunnen-G warriors who defeated the Insects thousands of years ago. Kai is dead: he has no ambitions, no desires, no feelings. He acts out of a renewed sense of honor after having been used, bodily, by His Divine Shadow as an assassin for 2,000 years. Kai does not seek life; his friends seek it for him. He himself believes that "The Dead should not interfere with the Living." Zev/Xev is a formerly ugly woman transformed into a beautiful love slave. During her transformation process, her DNA got mixed up with a vicious Cluster Lizard and she inherits super-strength and vivacity from her Cluster Lizard side, as well as the ability to curl up in a circle and roll at rapid speed. 790 received the brainwashing treatment meant for Zev, and after his body was consumed by a the Cluster Lizard that merged with Zev, he became a robot head and self-appointed love martyr (later in the series, a reprogrammed 790 fixated on Kai). Stanley is the only pure human of the cast, and he is a cowardly, selfish, lustful bastard who happens to inherit the key to the Lexx, enabling him to command its planet-destroying faculties.

If you like B-Movies, you'd probably like Lexx. There's loads of satire, sarcasm, necrophilia, and intentional cheesiness. It's like The Rocky Horror Picture Show: The Series. It's not for everyone though. Lexx can be offputting to those who were raised on morally upright science fiction. It's not a show that takes itself seriously, at least not until the 3rd series, where the crew of the Lexx are literally caught between heaven and hell, in the form of two planets in a parallel universe that function as a real afterlife for the souls our heroes have encountered in the Light Universe. The 4th series relocates the action to a pastiche of modern-day Earth circa 2000 AD, and explores the consequences of the Lexx crew's interference in the afterlife. It turns out that Earth is at the very center of the darkest part of the Dark Zone, the universe of chaos and depravity. But we knew that already: just read my review of Millennium.

Millennium: Season 1

Millennium: Season 1


"I smell blood and an era of prominent madmen."

-W. H. Auden

Anyone reading this blog can tell that I am a big fan of The X-Files. Millennium was a sister-show to that seminal piece of television brilliance, intended by creator Chris Carter as an exploration of a "more mature" version of the Mulder character. Enter Lance Henricksen, playing behavioral profiler Frank Black. Black has a gift: the ability to see inside the minds of killers. His work terrifies his wife, Catherine (Megan Gallagher), and the both of them struggle to keep their young daughter, Jordan (Brittany Tiplady) away from Frank's work. At the beginning of the series, Frank, following a nervous breakdown, moves his family back to Seattle to an idyllic yellow house and begins working for the Millennium Group, a consulting agency for law enforcement. Black's contact with the Group comes mostly through Peter Watts (Terry O'Quinn), and in the first season, we learn very little about the Millennium Group's motivations, only that they are more than meets the eye. Frank is called to consult for a number of bizarre, sexual and religious crimes in the first season, and usually Frank's profile subjects are deranged, violent men... but in the first season there are a few excursions into the supernatural, which culminate in the murder of Frank's best friend, Bob Bletcher (Bill Smitrovich), by a demonic entity in Frank's own home. Shortly after his encounter with the demon, who takes the form of an attractive woman, Lucy Butler (Sarah Jane Redmond), Frank begins to perceive events around him differently than others. He becomes aware of cosmic evil, and of a struggle between evil and good that is being played out around him.

Henricksen delivers a strong performance as the quiet, capable, focused Frank Black. Black is not your typical TV hero. He is middle aged, retired, and while quite capable of action, his primary talent is intellectual or spiritual in nature. He sees into the minds of killers, rapists, and other criminals, catching fleeting glimpses of their skewed realities which help him to catch them in the end. Another part of the strength of this show is its frayed, apocalyptic setting. Watching Frank Black solve the mysteries put to him by the Millennium Group, one really gets a sense of society on the edge. The quote for this post, displayed at the beginning of the first episode, says it all: "I smell blood and an era of prominent madmen." Buried in the mythos of Millennium is the nugget of an idea that as the apocalypse approaches, and society degrades and devalues itself, a new generation of killers are rising to prominence.

Bob Bletcher's death at the hands of a supernatural, demonic entity shifts the show in a direction more familiar to X-Files fans: from this point on, Frank becomes aware of great evil, in a way he couldn't have known it before. The second season, which I plan on reviewing separately, takes this evil presence and runs with it, featuring a plethora of demons set loose upon the Earth by powerful forces barely comprehensible to most men. Frank, because of his gift, is able to see these demons (and angels) as they truly are.

Millennium is a noir, nineties detective/supernatural drama featuring top-grade acting and excellent scripts. Some of the episodes, particularly in the first season, can be slow, but when Millennium is on its top game, it really shines.